It also refers to the Golden Ratio (Phi), enabling the creation of fractal sound fields as a particular form of wave interference. This leads to the ensemble’s current fascination — hyperbolic spaces, which, in their view, reflect the very nature of sound.

They use their own processed voices, noble percussion, string, and electronic instruments. The sound palette includes synthetic and electronic tones, prepared single frequencies (gnaural), as well as sampled and amplified acoustic colors, all composed both manually and algorithmically.

For visualization, they adapted the Rutt-Etra synthesizer, a tool that allows them to convey the idea of vibrational-acoustic conduction — the concept that sound can be perceived not only through hearing but also through its energetic resonance within the bone-skeletal system. The foundation of their performance is the cultivation of the idea of “absolute music”, treating sound as an interdimensional medium.

— moRgan (Barbara Konopka) – violin, viola, piano, vocals, visualizations
— Weronika Kami (veriKami) – performance architect, VJ, technology and programming